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Recluse (standard:horror, 1926 words) | |||
Author: Lev821 | Added: Dec 01 2009 | Views/Reads: 3298/2026 | Story vote: 0.00 (0 votes) |
Why is a journalist fearful of interviewing a famous recluse? | |||
Click here to read the first 75 lines of the story wise to leave a place unlocked, so I waited a little longer, then took a wander around the surrounding area for a few minutes incase he was busy out somewhere, but all I saw was a hovering hawk and two large bumblebees flying around the trees behind the bungalow. So I found myself back at the front door, pushing it slowly, and calling out his name, but there was only silence that greeted me. I took a daring step across the threshold, called out again, then realised that should he appear, I was effectively intruding, so I did not call again, and came to the conclusion that he was not here. It seemed to be a typical batchelor pad. Shoes were scattered behind the door, and standard black and white cheaply framed prints of a yesteryear Texan farm were hung on the walls. I enter the living room and find nothing much out of the ordinary. It was certainly lived in. Clothes were strewn across the back of sofa, and magazines were laying around. I didn't pursue it any further, and instead walked through into the backroom which he had converted into an office. A large desk held what was clearly an out of date computer on it as well as various papers and stationary. Around it, on all walls except near the door were shelves and shelves of books, all of them seemingly of a scientific nature. In front of the keyboard were several jars, full of white pills. Each of them was labelled with a persons name and profile which had been hastily scribbled. On the computer monitor, a post-it note had been attached. ‘Turn me on' it said. I stand there for a while, simply staring at it, and then I decide to do just that. I sit down and wait for it to start up. While I was waiting, I scan around the bookshelves, wondering who on earth would write an entire book about the effects of pesticides on snow and ice, and quantum electrodynamics in the colour spectrum. The background picture appeared on the screen, and I can only stare as it is a photograph of myself. I am smiling at the camera, sat in a shirt and tie at another desk somewhere. Only one icon appeared, and it said: ‘Open me'. I did, and was soon reading the text that appeared: ‘Did you recognise the photograph? I expect you guessed that it was yourself. Do you know your name?' it said. Yes, I thought, I'm Duncan Clifford, what is this? I continued: ‘Look at the jars of pills in front of you' I did so, and then saw that one of the names was me, and the writing beneath it mentioned that he was a journalist who died in a motorway crash. ‘Yes', it continued. ‘You are Edward Mills, the man you were to interview, and you have taken the pill that gave you the mind of Duncan Clifford. You have shut yourself away out here to pursue research into your next experiment. Obviously, people won't understand, and the moral police will have voiced their protest before they thought about it, so with your access to the local hospitals and to their morgues, you could cut out victims brain matter, and introduce and mix them with certain chemicals to form them into pills, and when you took them, you would have the mind and memories of whomever pill you had taken. Taken to its potential, you will come out of hiding and have them sold in shops as personality pills. You will write another book about it, and fame shall be yours again. However, the experimentation is not yet complete. There is a jar of red pills without a label, and they are to restore your mind back to who you are, Edward Mills'. I stared at the jar for a few moments, wondering if this was real, so I took time away from the room to see if I could find any other photographs of myself, and I did. There were not many, but I returned and with a nervous hand reached forward and took the jar of red pills, unscrewed it and took one out. I did not hesitate to take it, and the effect was immediate. With a tearing thunderstorm of a migraine ripping through my mind, I collapse to the floor, and feel as though I am being electrocuted. It then subsides after around a minute, and then I remember. I stand up and look down at the desk, at the jars of tablets, at the screen, but I know something hasn't quite clicked back into place. My mind is not as it was. Yes, I am Edward Mills, and I feel as though I have around 80% of my mind back, the other 20% is a confused mess culminating in a throbbing ache, a state of paranoia and stress. I rush out into the kitchen and look down at the large syringe on the draining board I used to extract my own brain matter, and subconsciously put my hand to my left eye, above which through the eyelid was a direct route to the brain. There was still a small amount of fluid left. Within the turmoil inside my mind, elements of Duncan's memories remain. I see more white pills, a glass of water, then darkness. I stagger towards the front door of my house, but it's not really where I want to go, as Duncan's percentage of my psyche is in semi-control of my movements. I want to go and take more red pills but I find myself outside, walking towards the well, and I see another memory. I see a rope, a noose, a wooden chair, a collapsing wooden chair and then the concrete floor. Duncan, in his life, had made two suicide attempts, and I see now what he is doing to me. I fall against the well, resisting the urge to climb over, but he is too strong-willed, and as I fall over the edge and disappear into the darkness, my mind is still not fully balanced. Why am I not screaming? Why do I have no fear? and during the 250 foot, three second fall onto jagged rocks, I wonder if anybody will find me at all, take the red pill, and continue my work. Tweet
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