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Golden Child, Chapter Two (standard:other, 5109 words) [2/2] show all parts | |||
Author: Sare | Added: Nov 12 2001 | Views/Reads: 2639/1969 | Part vote: 0.00 (0 votes) |
Kendall recalls her first big sale and how she and Victor first met. | |||
Click here to read the first 75 lines of the story favourite mug. She got the sugar dish and the milk and set them on the counter, then poured herself a glass of apple juice and swallowed her birth control pill, a vitamin C, an Echinacea, and a zinc capsule, then thought a moment and took a Tylenol as well. Waiting for the kettle to heat, she cut a piece of bread from the loaf and put it in the toaster, but waited until she unplugged the kettle before pushing down the lever to toast the bread. As she drank her tea and ate her toast, she tried to decide what she would add to her painting today in class, and also decided that she would tell Jill that she and Victor would take her and Eva out for dinner tonight. “Kendall?” Eva’s voice came from the bathroom, and she sounded scared. Kendall abandoned her tea dregs and rushed to the bathroom door, which was closed. “Eva? Is something wrong?” “Can you come in?” Kendall opened the door and went into the bathroom. Eva was sitting on the toilet, her underpants and pajama bottoms in a heap on the floor at her feet. “What’s wrong?” Eva looked up at Kendall with tears in her eyes. “I- I- I had an accident...” “Oh, honey, that’s okay.” “No...” “Yes, Eva, it really is okay. I’ll go get you some clean panties, okay?” “Don’t tell Jill?” “I won’t tell Jill. We’ll put your panties and pjs and sheets in the washer, and she won’t know.” “Are you sure?” Eva’s face was the epitome of agony and embarrassment. Kendall smiled gently and kissed her little sister on the forehead. “I’m sure. Here, do you want to have a quick shower?” She reached over and turned on the shower, setting the spray to a temperature and pressure that would be appropriate for Eva. “Get in, I’ll be right back with your panties and your towels. Okay? Don’t get your hair wet.” “Okay. Thank-you, Kendall.” “Oh, honey, you’re welcome.” Kendall went into Eva’s room and stripped the sheets off the bed, leaving Eva’s teddy bear under the blankets against the pillow. She gathered up the sheets, grabbed a clean pair of panties and the towels for Eva, and went back into the bathroom. She picked up the discarded pajama top, and the wet bottoms, and headed out to put them in the washing machine. Of course Jill would guess when she saw the laundry, but Kendall knew that she wouldn’t say anything to Eva. After Eva had been washed, dried, and dressed, she sat eating her toast while Kendall gently pulled her long blond ringlets into pig tails and secured them with ribbons. When Jill came into the apartment at ten after eight, she heard the sound of laughter coming from the kitchen and when she looked in, she saw that Eva had almost managed to coax Kendall’s short, straight dark hair into a ponytail and was trying to tie a ribbon around it, laughing when she lost her grip. Jill smiled. She loved to see Eva and Kendall having fun together this way. She heard the washing machine running and guessed that Eva’d had another accident. She shrugged. As long as Kendall knew about it and was taking care of the problem, it was none of her business, and she intended to stay out of it. No sense making the little girl feel any worse than she undoubtedly must. When Jill came into the kitchen, she made sure to admire Kendall’s hairstyle, asking if she’d had it done at a salon. She pretended not to believe that Eva had done it, and Eva squealed in delight. Jill shooed Kendall out of the kitchen, advising her to hurry and get dressed, or else she’d be late. She agreed to drop Kendall off at the art school on her way to take Eva to her school. Kendall headed into her room to get ready while Jill washed the breakfast dishes and coaxed Eva into drying them. Then they all got into Jill’s Honda and sped off to school. In the car, Kendall told Jill and Eva that she would be taking them out for supper that night, and that Victor might be joining them. Eva responded excitedly but Jill was quieter, although obviously pleased. Kendall was the first to be dropped off, and she kissed Eva as she got out of the car, and told them, “I’ll be home to pick you up at about five. See you then, have a good day.” When she got into the classroom, she was about twenty minutes early. She got her stuff ready at her easel but instead of starting to work on her painting, she went down the hallways of the school to Victor’s office. When she got there, his door was ajar, and she could see that he was alone. She crept in quietly and closed the door softly behind her, then went up behind him and put her hands over his eyes. He jumped slightly, startled, but then he laughed, and reached up to touch the backs of her hands. “Good morning,” he said. He moved his hands up, over her wrists, lower arms, over her elbows and up her upper arms to her shoulders, and then up over her neck to hold the back of her head, pulling her down for a kiss. She pulled her hands away from his eyes, and they kissed. “Good morning,” she replied when she had pulled away. “I told Eva and Jill that I’d take them out for dinner tonight. Want to come with us?” “I doubt Jill would appreciate me joining you.” Far from being ignorant of it, Victor was quite aware of Jill’s disapproval of him and his relationship with Kendall. “She may not think you and I are an ‘appropriate’ couple, but you know she likes you.” “Where do you want to go?” “I don’t care... Eva likes that place down on Yonge, that ‘Pickle Barrel’ place... That would be good. Do you want to drive?” As they spoke, Victor was gathering the things he would need to take to class, and Kendall had perched on the edge of his desk. Now he came over to stand between her knees, coming up close to her. She wound her arms around the small of his back, and they looked at each other. Victor said, “If you want me to, I would love to come. Of course I’ll drive if you want.” He kissed her gently. “Now go on into class, I’ll be there in a minute.” She kissed him again, hopped off the desk, and left as silently as she had entered, leaving the door ajar behind her as she went. She returned to the classroom and picked up her paintbrush, getting her paints ready. The way this school was set up, the students from the lower levels (mostly teenagers on scholarship from the local high schools who were trying to build portfolios for college and university, or hopefully to get into one of the degree credit programs here), could get part-time jobs cleaning up the classrooms, closing paint jars, washing paintbrushes and palettes, and making sure that the janitorial staff could clean the classrooms (wash the floors, etc.) without disturbing the paintings or making it difficult for the students to come in the next day and start painting again. The money they earned could be paid out to them or put towards their considerable tuition fees. Each easel was labeled with the name and code of each student (Kendall’s read “KENDALL MAYFAIR CLARKE, KMC21”), and each student had a palette, a tin of brushes, and their own set of paints, in Kendall’s case all jumbled on the table next to her easel, and all labeled with their code. Every night, the cleaning students tightened the lids on all the paints, cleaned and dried all of the brushes, made sure each table was cleaned and that each item was put back on the table where it had been found. Kendall knew that there were six students assigned to just this room, and that it took them over an hour and a half to clean it. Kendall was one of the few who truly appreciated the work of those students. Once a week she left a twenty-dollar bill in an envelope on her table, addressed to the boy assigned to her area. She knew she would be lost without him, and without the one she had hired to do the same thing in her studio three days a week. Kendall herself had never been in a position to do what they were doing. She had been in college studying creative writing, and painting at home in her parents’ basement, when that first painting had sold. She had been taking it from the house to the framer’s to have it framed when she had been stopped by a man in a black trench coat, wearing dark sunglasses. He had asked to see the whole painting and, shrugging, she had held it up to him. It was a painting of the recent eclipse, in dark violets and golds, and she had been planning to give it to her sister Natasha for her birthday. But the man on the street offered her eleven thousand dollars for it, and she just stared at him. “I’m not an artist,” she’d told him. “I’ve never sold any of my paintings before. I just paint what I think is beautiful.” “I just bought a new house,” said the man, “and I want to see all of your paintings. I want to buy this one, the offer of eleven thousand still stands, but I want to see the rest of your paintings. Here is my card. Call tomorrow and have my secretary arrange an appointment for me to see them. You can bring them to my office, or I’ll come to your studio. But I want to see them.” Kendall had taken the business card, turned around and gone home. Her father had recognized the man’s name, and had called his lawyer to have a check run on the man. When the lawyer had called back the next morning, he told them that not only was the man good for the eleven thousand, he said, but he could probably manage eleven million without batting an eye. He urged them to let him come to the meeting as well, as he wanted to keep Kendall’s options open. He reminded them that the man probably had friends who would buy from her as well. Kendall called and made an appointment for the man to come to the house, and spent the morning setting her paintings up on easels in her studio. She was brimming with nervous energy. Her mother rushed about upstairs making tea and coffee and setting out desserts. When the man had arrived, he’d greeted them all politely, accepted a cup of coffee and some desserts, and was escorted by Kendall, her father, and the lawyer down the stairs and into the basement. He’d taken one look at the paintings piled around the room, thirty of them at least, and said to Kendall, “Which one is your favourite?” She had pointed to the one in the near corner, where the light from the small window made a spotlight. It was a painting of Eva, two years old, wearing a violet and ivory dress, her golden ringlets in a halo about her head, with soft feathery wings behind her back. Kendall had taken a photograph and turned it into a beautiful painting. The man had asked, “Who is the little girl?” Kendall had answered, “She’s my sister.” The man said, “I will pay you twenty thousand dollars for a copy of that painting, and I will give you eleven thousand each for seven more of your choice, along with the eleven thousand for the one I saw yesterday.” Kendall’s father’s lawyer said, “You’re offering her $108,000 for eight paintings and-” “And one copy. That’s right.” The man looked at Kendall. She looked at her father. Her father looked at the lawyer. He looked back and forth from the man to Kendall. Kendall’s face was frozen in shock. Kendall said, “Why do you want only a copy of the painting of Eva?” “Because I could never take something from you that is so important to you.” “You can buy the paintings.” The man smiled and withdrew his checkbook. “This is a certified check for one hundred and ten thousand dollars. The extra two thousand is for you to buy painting supplies. Also,” he said, withdrawing another card, “I have an empty apartment in one of my buildings which you are welcome to have to use as a studio, at no charge.” Kendall’s father’s lawyer opened his mouth to object, but the man beat him to it. “No binding contracts or anything silly. She’s free to use the space as she sees fit. Whenever she thinks she has a painting I’d like, she can call me and then bring it to me. No unannounced visits or commissions. She paints what she wants, when she wants, and what she sells is up to her as well. In the meantime, here are the business cards of eight or ten friends and associates of mine who would like to buy some of your paintings. No obligations. None of them know your name, and I won’t tell them how to find you. If you want to sell to them, you call them. They will pay prices similar to mine.” Kendall had stared at the man, who looked to be in his early forties. “Why are you doing this for me?” The man had stared back at her, bewitched by the expression of confusion and awe on her face. “Because your paintings are beautiful.” The man, Kendall, her father, and the lawyer had gone up the stairs, Kendall still clutching the cheque and the card with the studio address on the back. They stood a moment at the door, the man politely thanking Kendall’s mother for the coffee and complimenting the dessert and their home. Then he had turned to Kendall. “One last thing.” Kendall stared at him. “Yes?” “I’m offering you a full scholarship to my art school, to begin at level two in September. I’ll have my secretary send you an application package and the necessary documentation. If you choose not to come, that’s fine, but I hope you won’t.” Kendall had stared at him again, her jaw slack. “That’s where I knew your name from!” she’d exclaimed. “Victor Allen of the Allen School for Fine Arts!” Victor had smiled. “One and the same. Please consider attending in the fall.” “Oh, I will!” Kendall had said, her face spreading into a smile. A full scholarship! . Kendall was jolted out of her memory by Victor’s arrival in class. He walked into the room, and conversation ceased. Brushes were picked up and loaded with paint, and in the space of just a few minutes, concentration was thick in the air, almost tangibly so. Victor began his rounds, as usual, but Kendall wasn’t painting. She sat down on the chair beside her table, rested her chin in her hand, and returned, in her mind, to that summer when she was nineteen. She had applied to the art school and received, along with her acceptance, confirmation of her status as full scholarship. She had gone to the studio and painted the walls herself, mostly violet (her favourite colour) with large patches of cream and gold. She and her father had built shelves along two of the walls, and she’d had a field day in art supply stores across the city, buying easels, paints, brushes, canvasses, and, from a school that was closing down, huge floodlights. Her mother had participated by making curtains for the huge windows, letting Eva dip her hands and feet in violet fabric paint and walk and crawl all over the cream-coloured material. The curtains had been presented to Kendall as a surprise, wrapped in a box with a big bow. Her mother had called it a “studio-warming” gift, and had given the package to Eva to deliver. Kendall had allowed Eva to help her tear open the paper, and had burst into tears when she saw the curtains covered with Eva’s tiny hand- and footprints. When the curtains had been hung, Kendall had looked about the room and smiled, satisfied. She had a summer job in a lawyer’s office, and had only Friday afternoons and weekends off. She had spent hours in the studio that summer. Twelve more of her paintings had been sold to Victor’s friends. Victor had taken her and her parents out for dinner. Eva had been toilet trained. And meanwhile Kendall painted frantically, more so because her new surroundings were inspiring her. As she continued to grow older and more mature, her paintings too became more mature, and infused with a sensuousness that made her mother blush when she examined them. It was a busy summer. And in the fall, Kendall had begun her studies at the art school, in level two. The program was strenuous. She was expected to go to a painting class for three hours a day, two days a week. She had a drawing class, three days a week for one hour, a writing class three days a week for two hours, and a general fine arts class two days a week for two hours. Her schedule was hectic. At the end of each week, she had to hand in one painting and one piece of creative writing. At various intervals she was expected to hand in drawings, sculptures, and essays. Her first year had gone smoothly, and she had completed the first half of level two. She had returned the second year, still on full scholarship, and had the same schedule, except that her painting class had been extended to two days a week, for four hours. At the end of her second year she completed level two and had moved on to level three. Now she had painting three days a week for three hours, drawing once a week for three hours, writing twice a week for three hours, and her general arts class still two days a week for two hours. The level three program was even more difficult than level two. Her weekly quota had been increased, so that now she was expected to complete three paintings and three pieces of creative writing in two weeks. By this time, she was twenty-one years old. Her parents had begun to travel more now that Eva was four years old and in kindergarten. She was old enough to be left alone with the housekeeper for brief intervals, although their parents tried not to be away too much. But their mother was often expected to give speeches at various charities, sometimes out of town, and their father always accompanied her on these trips, driving while she prepared her speeches. By the beginning of her fourth year, Kendall’s paintings were drawing prices in the hundred-thousands. A second portrait of Eva, this time dressed in green, with fairy wings and a wand, made close to eight hundred thousand dollars. Kendall by this time had an agent who handled all her sales. In November, just before her twenty-second birthday, Kendall had her first gallery show. The show, in a gallery owned by an old friend of Victor’s, sold out, and Kendall made over two and a half million dollars, after the agent and the government took their shares. Kendall had gotten an apartment of her own, and had flown to Paris for a week in December. But then, the third week in January, Kendall’s parents had had their fatal accident. Immediately Natasha and Josh had refused responsibility for Eva, and Kendall had accepted, opening to the tiny girl her arms, her heart, and her home. While the funeral for their parents had taken only a few days, building a strong relationship with Eva and helping her to heal had taken months. Kendall had taken a semester off school, with Victor’s support and consent, and had taken Eva and gone to Jamaica. They had stayed there for three months, spending all their time together, and when they came back they were each almost whole again. Eva had been put back in school, and Kendall had taken on the chores of selling her parents’ home and belongings, and choosing a burial plot. She paid for the plots and the headstone with the money from the house, and divided the remaining money into three equal parts, setting up a trust fund for Eva and sending their thirds to Josh and Natasha. Natasha had used part of hers to pay for her wedding to Blake, and Josh had used his to finish his masters’ and Ph.D. degrees at Harvard, and then to start his own business. Kendall, in the meantime, started painting again, hiring Jill to look after herself, Eva, and their apartment. And, in July, she started sleeping with Victor. . Once again, Kendall was jolted out of her reverie, this time by Victor’s hand on her shoulder. “Are you okay, Kendall?” he asked with concern. “Yes... no... I don’t know.” He lowered his voice. “Do you want to talk about it?” “Well...” “Come on, we’ll go to my office. You go first, I’ll be right there.” As Kendall left the room, she heard Victor telling the class that he would be in his office, and they should keep working until their ten o’clock break. She stood near the door of his office, marked simply “Victor Allen.” When he came to stand beside her, he unlocked the door and let them in. As soon as they were in the room with the door closed, Kendall laid her head against Victor’s chest and silently started to cry. “Honey! What’s wrong?” “I don’t know...” Standing very still except for the shaking of her slim shoulders, Kendall cried silently for almost five minutes, while Victor held her close. Suddenly, she stopped crying and looked up at him. “I’m so sorry, Victor.” “No, hun, what’s wrong? There must be something wrong for you to be so upset...” “No, really... Nothing’s wrong. I’ve been thinking about when I first met you, and when my parents died, and I guess I just have a lot of extra emotion in me right now... Maybe I’m ovulating...” Victor laughed. “Oh sure, you can blame things on ovulation, but I can’t blame it on PMS? That’s not very fair.” Kendall laughed. “You’re right, it’s not fair.” Abruptly Kendall pulled away. “I can’t stand so close to you,” she said by way of an explanation, “I really want you right now.” “No sex at school,” Victor reminded her, regret in his eyes. “I know. Let’s go back to class before I kidnap you or something.” “Mmm. But first-” Victor roughly pulled her back into his arms and kissed her hard, the way she liked it best. “There we go,” he said, releasing her, “now we can go back to class. Maybe you’d better stop in the bathroom and wash your face.” Kendall nodded, and they left the office together. After she had washed her face, she returned to class and began to work on her painting. Just after she arrived at her easel, Kendall noticed Joyce Evans standing next to her. “Good morning,” Joyce said, concerned. “Everything all right?”. She was the only one of the other students who knew of Kendall’s relationship with Victor. She was also Kendall’s only real friend in the class. Standing almost a head shorter than Kendall, she had shoulder-length blond hair and large, expressive eyes. She was prone to blinding headaches, and had a special talent for drawing extremely realistic faces. She was probably the only student in the class who could provide true competition for Kendall. Her painting was in a completely different style, though, and Kendall never felt anything but pleased that she was not alone in her status as a brilliant student. Joyce, also, was a scholarship student, one whom Victor had discovered on one of his trips several years ago. Kendall and Joyce often chatted about not only their art but their lives; they ate lunch together and sometimes went out at night. Joyce was engaged to be married to one of Victor’s friends at York University, and the four sometimes had dinner together. After greeting Kendall and ascertaining that she was all right, Joyce quickly returned to her easel to continue working on her painting, and Kendall picked up her paintbrush and set to work, trying to focus on the task at hand. That afternoon, she and Victor rushed to the studio to make love before taking Jill and Eva out to dinner. Then the four of them headed downtown in Victor’s Jeep, Kendall’s hand clutching his tightly in her lap. When they returned from dinner that night, Eva had fallen asleep in the backseat of Victor’s Jeep. He carried her in, walked Jill down to where her car was parked, and came back up. Kendall wasn’t in the kitchen, so he went looking for her, and found her in Eva’s room, gently changing her into her pajamas. When she had finished, she woke her to take her to the bathroom, which they managed with only one of Eva’s eyes opening. Kendall tucked her back into bed like an expert, and Victor bent down to kiss Eva’s cheek before he and Kendall headed out to the living room. They sat quietly on the couch, watching the end of a movie, and then suddenly Kendall jumped up and reached for Victor’s hand. Holding a finger to her lips, she lead him down the hall, past Eva’s closed bedroom door, into her bedroom, and from there into her bathroom. She flipped the knobs and started to fill the bathtub with warm water. She added some of her strawberry bubble bath, and started to take off her clothes. Startled, Victor could only watch her as she stripped and then stepped into the bathtub. She looked up at him. “Aren’t you going to come in?” Slowly, Victor removed his clothes, leaving them, as she had, in a pile on the cold tile floor. He stepped cautiously into the hot water, sitting down opposite her and leaning back, his legs crossed. Unhappy with this seating arrangement, Kendall stood, and motioned for him to stretch out his legs, then sat down between his thighs, leaning her back against his chest and tugging his head down to kiss him over her shoulder. “This is the first time we’ve ever taken a bath together,” Victor whispered to her. “About damn time,” Kendall replied. She squirmed against him, loving the way their wet skin slid together. They sat that way for about twenty minutes, and then the water cooled. Kendall sat forward to turn the taps on again, making hot water rush into the tub. Victor protested weakly, saying they really should get out of the tub, and that he really had to get going soon, but Kendall silenced his protests without a word. Turning slowly around to face him, kneeling in the waist-deep water and sitting on her heels, she reached down between his legs, and smiled at him. “Ever have sex in a bathtub?” she asked him, grinning wickedly. “Not yet,” he answered, grinning back, and then he kissed her. Tweet
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