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The Chair (Chap: 1-2) (standard:science fiction, 2999 words) | |||
Author: Cyrano | Added: Feb 23 2012 | Views/Reads: 4791/1947 | Story vote: 0.00 (0 votes) |
Tom Schofield is grieving the loss of his wife, a best selling author. He moves around the house, perpetually mumbling to himself and, he believes, is on the edge of insanity. | |||
Click here to read the first 75 lines of the story “You leaving for work now.” It wasn't a question. He didn't ask questions anymore. “Pretty much. Maybe when I'm gone you'll eat this breakfast, Dad.” He doesn't respond, just collects the plate with the omelette that is getting cold and tips it into the trash bin and stands with his back to me, having made his point, looking out the window. The yellow laced curtains tied back at the window match the towels and the decorative bone china cups that I remembered shuddered and chinked in their saucers whenever an earthquake was felt. I'm guessing there are no longer tears welling in the back of his eyes as he stares out across the bluff to the Pacific Ocean, just the memories, and a staring dullness of a man looking at Christmas waiting on the horizon. It is the pained look of someone who has taken a bullet in the gut, but this particular someone is my father and I don't know how to help him understand that we are all grieving our loss. “Okay, Dad. Philip is coming at the weekend. He's bringing Holly and Luke. I think they will stay the night, he's tried to call you.” “The phone's down.” “Okay, well you know now. Your grandkids miss you, Dad.” “They miss their Grandma, not me.” “That's not true, Dad, not true at all.” “Close the gate, you forgot last week.” His words bounce off the window. I three-point-turn my ten year old Ford 150, previously my elder brother's, before marriage and the twins became a bigger responsibility, with raised suspension, and fat deeply treaded tires, and drive away from the ranch style house between wind swept Cyprus trees lining the drive before stepping down from the cab to close the white fenced gate. It hasn't been easy, the father I know and love isn't himself. Driving through the town of Mendocino I recall how much my mother loved and adored him. They married in Reno, having run away together: ‘...for sheer excitement,' mother told me, ‘and because I loved him so much I couldn't wait to make arrangements and do all that fussiness. I just wanted him to be mine.' And so he was until January 11th 2011, when a moment of teenage carelessness took her from us all. Before driving off I check my cell phone for a signal. It's faint. I finger in my brother's number. “Hey, Philip, it's Ken.” “Thanks for calling, how is he?” “The same...” I want to report something more positive but these words are easiest and true. “Did he say why he's not taking mine or Jill's calls?” “The phone's been down.” “Every day for two weeks the phone is down? He's not the only one suffering.” Mother had left their home after making a birthday visit to see the grandchildren on their birthdays. Philip would always make sure she left for home while it was still daylight, fearing the winding Pacific Highway that snaked its way up from Bodega, with steep drops off the roadside, but on this particular day she insisted on staying longer. It was dark when she left. “He knows you're coming at the weekend. I told him the twins miss him and are asking after him.” “And...?” I hesitate to answer. “Well...he said they didn't miss him so much as they miss their Grandma.” “Typical, it's all about him these days.” Loving my brother as I do, I'm painfully aware that he carries in his heart some inexplicable guilt. “He's lost, Philip. I've heard him talking to himself, having conversations with strangers. I can't explain it.” “Well I'm glad he's talking to someone!” “I've got to get on the road. I'm sure the children will get through to him. Just don't expect too much, okay?” “It's been six months since he's seen the twins.” He finishes, in resentful tone. “Take care. Love to you all.” It's a four-hour drive to San Francisco; time in which old recriminations will sully the memories. Dad had never been an overly doting father. We were never in doubt about his love for us, never questioned his instructions, but his real love, his total commitment, his inspiration in life was our mother. Sure, he taught us to fish, to sail, but he also taught us that the real value of any outcome is sustained only by the effort that was put into it. I found these lessons to be as invaluable as they are simple. And while I didn't quite understand them growing up, I can see now the wisdom behind my dad's principles and how his lessons shaped me as a person and how they will continue to form and shape my adulthood. ‘To be a father is to be a leader and a servant at the same time' he used to tell me. Right now Dad has lost his way alone. 2 Tom Schofield re-enters the study. As a retired physicist his work had been mostly involved with the study of the natural world, from the tiniest subatomic particles to the largest galaxies. It had been a life career of experiments to discover the laws of nature; what things are made of and how things behave, and he was especially well respected in his study of energy and how it changes from one form to another. But for the last six months Tom Schofield has only been thinking about Einstein's theory of gravity, the laws of physics suggesting that time travel to the past is possible in principle. But to see whether time travel to the past can actually be realized he may have to learn new laws of physics! At least, that's what I think. Look at him, disheveled, mumbling, and for as long as I've been here this appears to be normal. That would be six months, or since the day he finally found the courage to sit in her chair, Katherine's chair; the chair at which I was born. My name is Bart. I don't yet have a surname, she never gave me one. I'm incomplete. And I'm not the only one. He does this, looks at the chair, touches it, leans on it, even twirls it around, but it takes him a while to find the courage to sit in it. Don't worry, he can't hear me, and when he finally finds the courage to sit in her chair he will think I'm a voice in his head! That's a sad fact when you consider he's a physicist. He's supposed to know about people like me. Factual people, yes, people like Tom are factual people who — for various reasons — try to fix the past or escape into the future. He has never worked it out, or any of those other geniuses, but Katherine did, she worked out what happens when universes actually diverge but, bless her creative mind, she didn't notice the kinks in our path. I'm a fictional character, and there are quite a few of us living in Tom's parallel universe. “Oh, hey, you're back!” I say, seeing Tom settle deeply into the deep red leather chair where he swivels to look out the window. “I'm not out there, Tom. I'm in here.” “No, no I assure you, you are not in here.” He responds, no longer afraid he will be overheard. “Oh really, we're going to work through all this again?” “Look, unless you are some super-advanced alien civilization that has figured this out, we aren't affected by the possible existence of other universes,” Tom answers. “Anyway, it's impossible with what we know today that lets one universe communicate with another.” “Wow! That's impressive; little wonder why Katherine couldn't share my story with you.” “What damn story?” “I don't know what it's called, she hadn't decided.” “How convenient!” “You're conversing, aren't you, you acknowledge I exist.” “Sure, in my head, going crazy. So screwed up I cannot let my grandchildren see me this way, or hold a civil or caring tongue toward my boys, scared they think I'm going insane!” “Look, Tom, here's the deal. I need to be completed. I need to be set free to hide on bookshelves before being found long enough to enter into people's hearts.” “Oh really, is that so. Well I need my wife back, so it looks like we'll both be disappointed, right!” “She cannot come back, Tom. But what she imagined, all her fictional friends, we can become real. We can be completed. We can be in your universe.” “Ah ha, so you admit you're not real?” He says, leaning back in the chair, staring at the ceiling. “I never said I was real, I said I was incomplete.” “You think I'm complete anymore? I'm no more complete than you are!” “No, Tom, you're not. That's why we can help each other?” “We? Please...please... don't tell me there are more of you!” He puts his head in his hands. “This surely isn't happening to me.” “Tom, you've got to look past the details of a wonky group of genius scientists – Katherine worked out that a quantum state is now observable with the human eye – and just consider its implications for a moment: It means that an object you can see in front of you may exist simultaneously in a parallel universe — she made real the plaything of science fiction writers that's had scientists theorizing for thousands of years.” “For someone incomplete you sure know a lot about my wife!” “I know about my creator, Tom. That's all.” “And that's something else; I don't get this incomplete thing?” He leans forward, swivels the chair to face the desk and places his hands flat on the desk as though I was his reality on the other side. “You can hear me perfectly. Correct?” “I can hear me talking to myself.” And his voice fades to a mumble of frustration. “Imagine you had a creative mind and you had to describe the voice you're hearing, would you see me then?” “I'm a physicist, not a painter or a writer. My creative mind is non-existent. I work with the law of physics.” “I'll admit this is a problem. But you'd be working with a skeleton draft. It's not as though you have to start with nothing.” “We've been batting this thing back and forwards for six months now, and I'm still no clearer on what you're implying. What I know is that I'm going crazy without her, she was my heart, my communication with the children, my passion, my love and all I'm left with is a disturbing voice in my head.” “Could I not be the voice that is speaking to your heart, Tom, is that not possible?” “What the hell do they call you again?” He asks. “Bart...I'm pretty sure Katherine was going to call me Bartholomew, after Bartholomew Cubbins.” “That was the boy's favorite story. How weird I should think of that.” “Maybe you didn't,” I reply. “Look, let me talk in terms you understand. Let's say you're back in Scotland, visiting the home of your parents. But in another universe, Tom, where your atomic particles just can't keep up, you're actually still at home here in California. That may sound far-fetched, but it's based on real science.” “Not any real science I'm aware of. You're talking about splitting the universe into two parts, but how can there be multiple universes yet we can see only one of them?” His back straightens, and his eyes widen as the complex puzzle stimulates his brain cells. “Katherine knew how, Tom. She worked out in her imagination that any observed action in one universe freezes the other. You see a football, well you understand soccer, right, and so imagine a soccer ball flying through the air, but maybe in a second universe the soccer ball hasn't been kicked yet. It won't be kicked until you're looking the other way. Katherine is no longer observing me.” He thinks for a moment. “That would mean it all comes down to how we understand time. We don't exactly feel time — we perceive its passing. Even as a physicist I don't understand why time moves fast on a rollercoaster and very slow during a dull college lecture. It races when you're late for work . . . but the last few minutes before quitting time seem like hours.” Tom is no longer mumbling. “But take into consideration theories that look at the level of quantum fields ... particles that travel both forward and backward in time. If we leave out the forward-and-backwards-in-time part, we miss out on some of the physics.” “Wasn't there some guy studying physics who said....wait, let me quote him: ‘Imagination is more important than knowledge...'” “Very funny. You're quoting Einstein.” “No, Tom, Katherine quoted Einstein!” “Why should I believe she understood such things?” He asks, his voice rising. “You too have the power to understand and believe and the solution is right at your fingertips.” “I do...how?” “It's called a mouse, Tom. It's the gateway to creativity. When you're ready, just move it. But, Tom, if you choose to move it you'd better be prepared to get creative!” I want to explain more, but Tom rises out of the chair. Creativity to a man like Tom Schofield is like him trying to explain the workings of an Almighty's non-existence to the Pope. This isn't going to be easy. Tweet
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