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You Can't Be Careful On A Skateboard (standard:adventure, 2655 words) | |||
Author: G.H. Hadden | Added: Nov 25 2007 | Views/Reads: 3654/2338 | Story vote: 0.00 (0 votes) |
A 13-year-old bright eyed and bushy haired marvel of energy named Burke has never felt so alive in his whole life until now that he realizes he’s in fact hurtling headlong down Oak Hill Street to his own death—-suicide by skateboard! | |||
Click here to read the first 75 lines of the story County, far to the south.” They're all uniform Sears Roebuck & Co. kit houses, all single story with standard 45 degree pitched shingle roofs and the same rectangular picture windows divided into six squares. They all have rail-framed porches and three steps down to a sloping front yard, all with identical whitewashed picket fences facing the narrow street. It's one hell of a steep hill, with a rural sidewalk that now sprouts weeds in the cracks. Telephone poles line one side and sagging wires crisscross to the other. In fact, looking down on Oak Hill from the mountain was like looking at a worker's laced up boot. It's the typical “worker bee” street in a company town too big for just a single company store any more, but too small for anything more than high school football on a Friday night. The kind of street lined with all old dusty Dodge and Ford pickup trucks with Democratic bumper stickers...a union street, if ever there was one. In short, the “Management Kids” (and they know EXACTLY who they are) are NOT welcome at any of these front doors any more than the bill collector or the repo-man. Burke imagines a rap on any of their doors from him would go something like this: Knock, knock... “Who's there?” “Burke!” “Burke who?” “Burke Bronsen!” he'd pant plaintively, “Please, they're after me!” “Burke Bronsen! “ She'd answer, the lady of the house: with a schoolteacher's scold in her voice and a hard and angry look in her eyes—-one of these low class minor's wives—-with the kind of voice and looks that could freeze a kid cold in his tracks. Like seeing Medusa in house-cleaning clothes and curlers. And he'd have his answer: “Keep to your own kind on Park View, if you please!” SLAM!!! And then they'd have him. Nosiree, no one on this street'll lift a finger to save his bacon from the fryer. Everyone knows who Burke Bronsen is. Everyone knows whom his father Kurt Bronsen is...shift personnel manager for V&A's most important mine--Isabelle...the one who decides who gets overtime and who gets cut from the rosters in The Company's interest. “It ain't always easy reconciling the profitability of the company and the productivity of the workers.” he'll gladly tell anyone who asks, even Burke, who's getting to be at an age to ask such questions. His dad's cool that way. He thinks his own son deserves a strait answer. “In lean times, layoffs are inevitable.” His dad's not the heartless mid-level lackey the “Union Men” always make him out to be. He's always genuinely sorry to let people go, especially the ones with real seniority, who've given years of their lives in those tunnels and cough up black phlegm every night despite the mandatory use of respirators. But facts are facts: and these are lean times. Even for the Management Kids on the View, allowance hasn't kept pace with inflation and Christmas was just a bit less Christmassy this year. “Fact is son: Reaganomics sucks.” And the Grinch had his way with the tree. Burke's still running, and THEY'RE STILL GAINING! ‘What sucks is not having my bike', Burke thought, ‘or my board...' But of course—-this from the daredevil kid who once dreamt of sailing down the hill on his skateboard like Evel Knievel, with a crowd of people on the scabby front lawns of their houses watching—-those women with faces that looked like the Soviet proletariat hags in line for toilet paper he sees on the CBS Evening News every night. Their husbands were there too, brawny human hunch-backs from years of crushing economic hardship, and their barefoot kids shouting with teeth bared and eyes alight, all wildly cheering his (imminent demise?) triumphant run. They're all wearing the red neckerchief of the union, just as his granddaddy did all those years ago. Except in his dream, it didn't quite go as expected...or did it? All he knows is that after he wrote it up as a composition next day in English class, he got a weird look from Mrs. Eldridge and a grave talking-to from Principle Wiggins. Seems that grownups are afraid of a little creativity and the power of a kid's imagination. Like he would actually DO IT! He knows full well it would be suicide. “Now you go on.” Mr. Wiggins said as he dismissed him, “And you be careful on that skateboard now.” And Burke, being the sharp little whip that all kids are at his age, came back with “You can't be careful on a skateboard, Sir.” It drew a bit of a laugh from Mr. Wiggins now that he'd made his point clear. “Bye, Burke.” He said, shrugging it off as he bent back over the paperwork strewn about his desk. That had been back in April, with the snow gone and the trees budding, and the smell of spring in the air, when he could once again skate around town and trick around with his friends in he schoolyard. NOW, It's a hot and hazy afternoon with thin steamy cloud-cover slowly building over The Valley. There's no one on the front lawns of these houses cheering him on. The boys are all sweating in their shorts and tees; all except for Colton—-the one with the red neckerchief; his naked sun burnt chest shines with sweat. But Burke is sweating it most of all. He's the one sweating bullets in fact. He can smell his own fear and he feels sticky all over, with the sticky cowlick of his hair pasted to his forehead. His Converse high-tops beat metronome time down on the pavement. He's the middle school poster boy for Chariots of Fire—-or maybe just a shaken up kid with scraped up knees, just runnin' from the hounds-o'-hell. “Keep up that breathin', forget the flies.” A voice...a stray thought within...thoughts of an overactive imagination. A little imagination goes a long way. And if these big kids hated him before when his dad still had some kind of sway over their lives, well then, imagine what'll happen now that their daddies have been laid off and the money will be extra tight this month with school coming, and beating him up might even be like a little goin' away present before the boys chasing him have to pack their bags and leave The Valley behind for good. Imagine leaving behind your kin and the graves of your loved ones, home for three or four generations of your family; and then imagine their daddies taking it all out on them for a wrong slip of the tongue or not taking out the trash on Tuesday night. Now imagine these boys taking it out on him, the pain of their kicking and beating and them laughing and breaking his arms and legs...lynching him in the street like a spook or a kike come to call for a date with one of their sisters. There's a voice within his head...His imagination. “Imagine the pain,” it says to him, “and then keep runnin' boy, runnin' like yer life depends on it. Cause it jus' might!” That's why he's flying downhill now at break-neck speed, can't stop, even if he wants to, even if a car or one of the big coal trucks should come along the Ol' Jezer Mine Road and he knows he'll be tossed like a rag-doll over the grille and down onto the gravelly rough pavement to his crumpled bloody death... ”Can't think ‘bout that.” It's the soothing rational voice of the mountain. It's the voice of reason and truth. “Concentrate on breathin' boy, concentrate on one long stride after n'other, concentrate on not trippin' over yer own two feet an' tumbling down the hill t'yer end!” He concentrates...but he can't help thinking back to his dream again. It's somehow comforting, flying down the hill with the wind in his hair, hips swiveling to balance the board perfectly underfoot; arms slightly out to keep from tipping over. It feels like he's going a hundred miles an hour with the wind hitting his face, feeling so alive he can taste the breeze. It's a smooth ride on old weather-beaten asphalt...and WHOOO-HOOOO!!!! What a RUSH! He's never been so alive in his whole life until now that he realizes he's in fact hurtling to his death. Suicide by skateboard! There are no cars to jump at the old Jezebel Mine Road, but there is a ditch, and those train tracks. And there's that wall, the high vertical cut into the scraggly hillside. Then as now, no breaks! But fear strikes him from out of nowhere, a shock down his spine and a weight in his stomach. A thought that rattled around his head in a voice that called up all authority figures he'd ever known, all self-doubt he's ever had. “Boy, what the HELL was you thinkin' in the first place?” “OH SHIT!!!“ He panics. End of pavement, and the board shoots out from under him; and now he's flying high in the air like Superman O.D'ed on some kind of kryptonite cocaine, certain he'll fly strait through solid rock! He sees it coming, and he opens his mouth as if to scream, but it's too late, cause in a split second he hits...except he doesn't hit. In such dreams death is always the welcome wake up call. He wakes up safe and sound in his bed, heart racing a million miles an hour and on the verge of screaming. But the nerves in his face are all prickly. He hit the wall so hard it sent him back to... REALITY--the big kids are gainin', back four houses now, and it'll be three by the time he hits the intersection. It's a dead end up ahead. There used to be a crooked yellow sign with checkerboard black to warn everyone, but that got taken out in a car crash last winter after an ice storm and it was never replaced. Mad Max and Colt are in high school, and Nick's on the track team. Nick's big brother Jamie's on the wrestling team; if they catch him they'll beet him down for sure! His only hope is the mountain, to loose them in the train tunnel. He knows this instinctively, as if telepathically gifted this solution by the colossal spinal ridge itself. “Don't even look back, cause they'll be there. Jus' cross over the road, turn down the tracks an' head for the tunnel! The darkness hides all.” He headed for the rusty track peppered with weeds, blackened with dust and littered with spilt chunks of coal from the V&A No. 9 tipple, which Shawn says is lucky to see a couple of grimy Chessie System U-boats a day haulin' empties in and loads out. No, these U-boats ain't submarines, but what Shawn's dad the railwayman calls those big six-axel diesels made by General Electric in Erie, PA. Shawn even joked: “Sometimes Chessie the cat looks and sounds like he's dying of black lung on those engines!” Those engines always haul a long string of black coal hoppers behind on the Green Valley Turn, which makes its way up to the mine empty and back down from the mine full, with a caboose on the end. Those coal drags are the only trains left on the Green Valley branch. He can hide in the dark. He can get away from them there. The mountain will save his skinny little ass this afternoon, and he'll be sure to thank it kindly. END OF SEGMENT --Author's note. This story is part of a work in progress tentatively entitled “Haunted By The Devil's Spine”, which chronicles the “great shame” of Burke's disappearance, and of a legacy of labor strife in a small West Virginia coal town, where the Redneck Wars of the 1920s were never quite settled between Union and Management. COPYWRIGHT 2007 Grant H Hadden. All rights reserved. Tweet
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